Sunday, October 28, 2018

Making a Murderer Part 2: True Crime Comfort Food


Making a Murderer premiered quietly on Netflix just before Christmas in 2015.  It was one of the streaming service's first forays into the serialized true crime drama genre.  Netflix execs didn't seem to expect the show to make many waves, but within just weeks positive word-of-mouth and social media chatter had turned it into a bonafide pop culture phenomenon. 

Note: Below I will get into specific "plot points" of the show (aka actual real-life events).  I would not suggest reading my review if you want to start the show from the beginning and want to be "surprised" (I'm not sure how you haven't heard details about this case in the media before now, but that's besides the point).



The show follows the decades-long saga of Steven Avery, a Wisconsin man who spent 18 years in prison after being wrongly convicted of a sexual assault in 1985.  After finally earning his freedom, Avery filed a multi-million dollar lawsuit against the local police department and several individual local law enforcement officials.  Two years later in 2005 Avery was charged with another crime, the murder of aspiring photographer Teresa Halbach.  Avery's nephew Brendan Dassey, a developmentally challenged teenager, also became charged in connection with the crime after a confession that may or may not have been coerced by the detective questioning him (depending on your viewpoint).  Throughout the first season, Avery and Dassey's lawyers questioned the validity of the confession and raised questions about evidence that had possibly been planted and manipulated to frame Avery.  Did the local police, angry at Avery's pending lawsuit, concoct a massive conspiracy to frame Avery for another crime, manipulating Dassey to help implicate his uncle?  Despite the attorneys' efforts, both men were convicted, and the final episodes of the first season showed the beginnings of their appeals.  

Making a Murderer Season 2 trailer


Season 2 is even more exhaustive than the first, and possibly even more enthralling, as each man's new post-conviction lawyer slogs through the seemingly neverending appeals process.  Dassey's new attorney, a young woman named Laura Nirider, works for an organization dedicated to helping wrongly convicted youth.  She seems a bit too concerned with grand aspirations of improving the legal system rather than the specific facts of Dassey's case, but still she is very skilled and totally dedicated to helping her client.  Dassey's case makes it all the way to one step below the Supreme Court, and Nirider argues passionately in several enthralling sequences where viewers get to hear actual recordings of court hearings played over (surprisingly decent) courtroom sketches (cameras weren't allowed in the courtroom).  I wonder if anyone thought of having a more experienced lawyer help Nirider argue in such a high court, but what do I know?


The real star of season 2, however, is Avery's new lawyer Kathleen Zellner.  I was completely mesmerized every time that she appeared onscreen, which thankfully was quite a bit.  Viewers are introduced to Zellner by hearing her tell a story about one of her previous clients, a murderer.  The man had confided in Zellner that he had killed nearly a dozen more people, but she was bound by attorney-client privilege not to reveal this to anyone.  When the man died, she boldly held a press conference and recited the names of each victim to their families, sharing what she knew about their deaths.  She states early on in the series that her aim is getting at the truth, even if that means revealing the guilt of her client, and this proved her point.  She had to get her client's permission before his death to do this, but I doubt that most lawyers would go to such lengths to speak the truth. 

Zellner and Dolores Avery

Zellner spends the season exhaustively gathering new evidence in Avery's case, repeatedly visiting his family's property (the possible crime scene), conducting new tests, and raising doubts about the prosecutor's (and Avery's former attorneys') original case.  She's possibly the most hands-on lawyer that I've ever seen.  She also spends a significant amount of time pointing to possible new suspects, who just happen to be close relatives of Avery and Dassey (oops).  This leads to a tense but thrilling phone call between Avery and Dassey's mother, in which threats are made against both Avery and Zellner, but she doesn't care and isn't the least bit intimidated, because she's just going where the evidence takes her.  I really hope that Netflix sees the star power of this woman and gives her her own show, pronto.


Despite all of these positives, there is the obvious flaw that the show is decidedly one-sided in favor of Avery and Dassey's innocence.  It's true that the other side mostly declined to participate in the series, but the producers seemingly tried to give the illusion that it wasn't biased by presenting press conferences and statements given by Halbach's family and Ken Kratz, the prosecutor in the original case.  Why go to all of this effort to attempt to present both sides?  I would have preferred that the show more openly declared its opinion that the men are innocent.  Also, the camera spends way too much time lingering on Avery's elderly parents, seemingly using their grumpiness and hearing issues for comic relief.  I do have to admit though that I laughed when the show spent 5 minutes showing Avery's mother trying to turn on the stove, bickering with her husband in the process, and I'm not sorry for it.


What is my take on the men's guilt or innocence?  I'm pretty strongly convinced that Dassey is innocent (or mostly innocent), and that his confession was indeed coerced (although maybe not intentionally).  Avery, however, is another story.  Despite all the new evidence brought to light by Zellner, I still find it a bit hard to believe that the police could successfully carry out such a massive conspiracy to frame him.  I'm 50/50 on whether he's actually guilty, but I'm more doubtful that he was framed.  Tell me what you think in the comments...

Sunday, October 21, 2018

The Haunting of Hill House: Award-Worthy Horror


Last week a new horror series premiered on Netflix: The Haunting of Hill House.  I was starting to get in the Halloween mood and looking for something new and scary to watch, so I decided to check it out, not knowing much about it or what to expect.  And WOW, it far exceeded my expectations, keeping me completely glued to the tv for several days straight.  The show, based on a book by Shirley Jackson, follows 5 siblings: Steve, Shirley, Theodora ("Theo"), and twins Luke and Eleanor ("Nellie"), flashing back and forth between their present adult lives and their memorable summer as kids living in Hill House, a seriously haunted old Victorian house.  Each sibling faces problems as adults, which they ultimately trace back to their time at Hill House: Shirley and Steve are in unhappy marriages, Theo is a promiscuous alcoholic, Luke is a drug addict, and Nellie is severely depressed and emotionally unstable.


Almost every episode follow the Lost model of focusing on one sibling per episode, showing events at Hill House and in the present day from each individual character's perspective.  This structure allows the viewer to get to know each sibling (as well as their parents) deeply, enriching their understanding of big events like the family's last night in Hill House and the night of one character's death in the present day.  What starts out as a simple show about a haunted house becomes a rich family drama with supernatural elements, mostly due to the complex writing and rich talent of its actors.  The twins in particular (Oliver Jackson-Cohen as Luke, Victoria Pedretti as Nellie) stand out among the cast, as their characters carry around the biggest demons (literally and figuratively).  In addition, Carla Gugino, a veteran but relatively unknown tv actress, shines as the siblings' mom Olivia.  Although her performance is a bit over-the-top, the show calls for it, as her character slowly unravels over the course of several months living in the house.  I also have to point out that the uniquely structured episode 6, in which the entire family gathers at a funeral home to say goodbye to one of their own (I won't spoil who), is particularly impactful.  It doesn't follow the single-character focus of most of the other episodes, but instead it brilliantly allows each character to confront each other over long-held issues while grieving their loved one.

Tall Floating Man video

Finally, the show works because it is downright scary!  As a horror fan, it's been really hard in the past few years to find a good horror movie or tv show that effectively builds suspense and doesn't just rely on cheap jump-scares.  There are other horror shows out there, but their writing is inconsistent and they just don't have the same impact as Hill House (cough*American Horror Story*cough).  The ghosts in Hill House are actually shown pretty sparingly, at least up until the last few episodes, creating a strong sense of suspense and fear of the unknown.  Many ghosts are, however, cleverly hidden in other scenes, with only eagle-eyed viewers noticing them.  I wasn't one of those viewers, only seeing some of the hidden ghosts when a friend pointed them out to me later.  Three ghosts/supernatural creatures in particular stuck with me even after I finished the show, as they also stuck with Luke and Nellie.  A mysterious tall floating man first haunted young Luke in the house, then continued to do so into his troubled adulthood, pushing him to do drugs to stop the visions of him.  The Bent-Neck Lady appeared to Nellie for years even after she left the house, causing her sleep paralysis and literally making her go crazy.  Finally, when a creepy zombie-like creature came at young Luke in the basement of Hill House, I literally yelled out loud in my living room.  No wonder these twins were so messed up!


Although the ending of the show was a little too neat and tidy for my taste (I like an unappy ending, what can I say?), the rest of the series more than made up for this one flae.  The Haunting of Hill House is a a horror masterpiece, but it's also so much more.  It's about family, death, grief, and the guilt and regrets that we carry with us throughout life.  A must-see to put you in the Halloween mood!



Wednesday, October 3, 2018

Recasting the Reboots


We're currently in the throngs of tv reboot/revival mania, with many classic shows either already back on the air or returning soon: Will and Grace, Murphy Brown, Fuller House, Magnum P.I., Macgyver, Hawaii Five-O, Designing Women, Charmed, the list goes on and on...

I thought that it might be fun to imagine some other classic shows rebooted, with actors from today filling the shoes of some well-known, already popular characters.  For the purposes of this post, I won't be recasting more recent shows where most (if not all) of the original actors are still alive.  Please comment and let me know if you agree/disagree with my choices, or if you have some better picks in mind.


1.  Golden Girls

Blanche Devereaux
Original Actress: Rue McClanahan
My Pick: Wendie Malick
Malick played the fun, promiscuous character on Just Shoot Me and Hot in Cleveland.  She's the only older, currently active actress that I can see in the role.

Dorothy Zbornak
Original Actress: Bea Arthur
My Pick: Allison Janney
She's currently occupied on the hit sitcom Mom, but her sardonic, "who cares" humor would make a great Dorothy.

Sophia Petrillo
Original Actress: Estelle Getty
My Pick: Rhea Perlman
She was the wise-cracking smartass on Cheers, and she'd be a great older wisecracking smartass on Golden Girls.  Plus, she's short like Getty!  Side note: I want to put Cloris Leachman in this role, but I hear that her health is failing and she's not working regularly anymore.

Rose Nylund
Original Actress: Betty White
My Pick: Jackee Harry
If Betty isn't up to it (she's 96, after all), then I'm going with Harry (227, Sister Sister).  She's hilarious, and I feel like she could play the friendly but naïve character well.


2.  I Love Lucy

Lucy Ricardo
Original Actress: Lucille Ball
My Pick: Anna Faris
Okay it's pretty hard to fill the queen of comedy's shoes, but I feel like Faris should do a pretty good job.  On Mom she has proven that she can do physical comedy as well as straight humor.  She's the Lucy of modern times.  Fight me on this.

Ricky Ricardo
Original Actor: Desi Arnaz
My Pick: Kunal Nayyar
Nayyar has been a strong supporting character on The Big Bang Theory for years, and this role would require Nayyar to be a much more dominant force with a stronger personality than Raj, but he's a strong actor who I believe would be up to the challenge.  Plus the show would keep its "foreign man with American wife" premise.

Ethel Mertz
Original Actress: Vivian Vance
My Pick: Wendi McLendon Covey
Covey spends her time these days as the matriarch of the family on The Goldbergs, but I think that she'd be a strong friend to Faris as Lucy.  Plus, she has also proven her comedic range and skill with physical comedy.

Fred Mertz
Original Actor: William Frawley
My Pick: Nick Offerman
Offerman, as Ron Swanson on Parks and Recreation, was lovable but cranky, just like Mertz.  The role seems like the perfect fit for him, and for some readon I feel like Covey and Offerman would make a great couple.


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